There was a time most kid movies had the same message: “Be yourself”. It was vague and debatable, but suited any story. Thanks to Pixar, young audiences have become more sophisticated, and good nature platitudes don’t cut it anymore.
Other studios have followed suit. For a moment, WB’s Smallfoot really pushes the envelope by peddling scientific experimentation over blindly following tradition (religion?). Of course it backtracks at the end (there is reason behind every stupid ritual), but how amazing is that a kid-friendly flick is teaching healthy skepticism.
The rest of Smallfoot is amiable slapstick that owes a lot to Looney Tunes, at least in aesthetics and disposition. Migo (voiced by Channing Tatum) is a good-natured yeti hoping to take over his dad on the task of awakening the sun (as you do). His first try goes awry and unexpectedly puts him in touch with the “smallfoot”, a tiny, hairless creature considered a myth by the community’s leader, the Stonekeeper (Common).
Banished for questioning the sacred stones, Migo becomes determined to prove the existence of the smallfoot. To his surprise, his belief is shared by other yetis, including his love interest, the Stonekeeper’s daughter (Zendaya).
Smallfoot’s main problem is inconsistency. It has interesting ideas, which are shelved for a good chunk of the movie to give way to mildly amusing pratfalls and banter. There are a number of cutesy songs that halt the movie’s momentum. Only one registers, a rather cutting solo by Common about the joys of living in denial.
The unassuming flick smuggles other interesting messages: It criticizes the “fear of the other” (peddled by right-wingers across the globe) and how it deprives us of access to different cultures. Smallfoot also believes in a community’s ability to choose its destiny, as opposed to be kept in the dark for its own good. Good on you, movie. Three prairie dogs.
Smallfoot is playing everywhere.
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