There have been many adaptations of Jules Verne’s classic novel L’Île mystérieuse aka The Mysterious Island. The novel was originally a kind of sequel to Twenty Thousand Leagues Under the Sea and In Search of the Castaways.
The original story had to do with five Americans fleeing the American Civil War and crashing on a mysterious island. They survive thanks to a mysterious benefactor and along the why meet one of the characters from In Search of the Castaways and fight off pirates before meeting their benefactor who turns out to be Captain Nemo who survived the end of Twenty Thousand Leagues Under the Sea and has spent his old age on the island. Continue reading “Sunday Matinee: The Mysterious Island”
Nat Harbin (Dan Duryea) sees a newsreel that tells how a spiritualist named Sister Sarah (Phoebe Mackay) has inherited a priceless necklace. Nat sends Gladden (Jayne Mansfield) to case the joint and pose as an admirer.
Richard Quine was an actor who starred in variety of movies from the 1930s and 40s. He moved into directing movies in the 1950s. His first films were musicals and he collaborated with screenwriter Blake Edwards with a couple of them.
In the 1970s, producer John Dark and director Kevin Connor made a series of lower budget fantasy films. Most of the films were in the lost world category with the first three being adaptions of Edgar Rice Burroughs works.
At a bus stop a man named Jim (Aldo Ray) gives a light to a man named Ben (James Gregory). Ben leaves on a bus and Jim goes to a bar where he meets Marie (Anne Bancroft), a model who borrows five dollars from Jim.
They make a date and Marie gives Jim her name and address. Jim runs into two men John (Brian Keith) and Red (Rudy Bond). They want their money – $350,000 and Jim claims he doesn’t know where it is. Continue reading “Sunday Matinee: Nightfall”
The Criterion Channel debuted this week and it’s an amazing streaming service. It’s everything that I want from a streaming service. Classic cinema, behind the scenes features and so much more. My watch list has enough to keep me busy for the next three years.
While the service is home to Criterion’s stable of cinema they also have special films available for limited time. This month’s is Columbia’s film noir collection. 11 dark and gritty film noirs to watch. I’ve watched the first on the list My Name Is Julia Ross. Continue reading “Sunday Matinee: My Name Is Julia Ross”
Before we get into this week’s Sunday Matinee, Shazam opened this weekend and from the sounds of it has done pretty good for itself. It’s been quite a while since the original Captain Marvel has graced the big screen and here’s my old post about his first adventures.
The Criterion Channel will soon be here, actually tomorrow April 8th and this was their last week of their free movie of the week to charter subscribers. This week’s movies were the 1979 John Woo kung fu film Last Hurrah for Chivalry and The Umbrellas of Cherbourg. Today’s Sunday Matinee is the early John Woo. Continue reading “Sunday Matinee: Last Hurrah For Chivalry”
As Criterion counts down to it’s April 8 launch of their new streaming service this week’s movie of the week happens to be an old Sunday Matinee, The Fabulous Baron Munchausen so I’m going back a week to last week’s movie of the week the excellent 1945 film noir Detour.
Directed by Edgar G. Ulmer the follows poor piano player Al Roberts (Tom Neal) is a disheveled burned out looking person. He gets dropped off at a diner where he hears a particular song. He flashes back to how he got to where he is. Continue reading “Sunday Matinee: Detour”
This week’s movie of the week on The Criterion Channel is the 1989 documentary For All Mankind.
Directed by Al Reinert this doc looks at the Apollo progam and uses actually archival footage that NASA shot during the time and interviews with the astronauts and crew who participated in the program. Continue reading “Sunday Matinee: For All Mankind”
This week’s Criterion Collection streaming film is the 1970 film from writer/director/star Barbara Loden, Wanda.
Loden was an actress who worked in TV and film in the 1950s and 1960s. She was a cast regular on The Ernie Kovacs Show in 1956 and she starred in director Elia Kazan’s 1960 film Wild River and 1961’s Splendor in the Grass. She married Kazan in 1967 and while on vacation a mutual friend, Harry Schuster, offered Loden $100,000 to make her own movie. She wrote the script and couldn’t find a director including her own husband so she directed the film herself as well as starring in it. She made the film for $115,000 and while the movie did receive praise and it won Best Foreign Film at the Venice Film Festival in 1970, it was never given a wide theatrical release in North America. Continue reading “Sunday Matinee: Wanda”
The Criterion Collection is going to launch their own streaming service in April to take the place of FilmStruck. Charter members who signed up early have been treated to a free movie every week since the start of February. The first week it was Elaine May’s Mickey and Nicky. Week two saw Chungking Express. Week three was Saturday Night and Sunday Morning and Tom Jones. This week’s movie is Andrei Tarkovsky’s brilliant masterpiece Stalker.
Loosely based on the novel Roadside Picnic by Boris and Arkady Strugatsky this 1979 Soviet film is set in a future where something called the Zone has been created. The military have forbidden travel into the Zone but there are specialists called Stalkers who lead people into the Zone. They also collect special artifacts from the Zone and sell them on the black market. Continue reading “Sunday Matinee: Stalker”
In the final film of the series our “hero” Haruo finds himself on trial from the remaining Bilusaludo for killing MechaGodzilla city and thus killing all the Bilusaludo who merged with the nanometal in the last film. This act also essentially killed Haruo’s girlfriend Yuko who was partially merrged with the nanometal and has now been left brain dead. The remaining humans disagree with the trial saying that Haruo’s actions exposed the Bilusaludo’s intent to assimilate the Earth.
Meanwhile Haruo starts a relationship with Maina. He also discovers that the Exif, Methphies wants to bring the Exifs god to Earth to defeat Godzilla. Methphies starts converting the surviving humans into a cult worshiping his god. The Exif on the Aratrum (the spaceship carrying the last remaining humans) also begin gathering followers. Continue reading “Sunday Matinee: Godzilla: The Planet Eater”
The second film in the Godzilla anime movie trilogy, City on the Edge of Battle picks up right where Planet of Monsters left off. Quick recap. Godzilla has taken over Earth and the remaining members of the human race have fled the planet along with two alien races, the Exif and the Bilusaludo, on a spaceship called the Aratrum. Now they have returned and find that thousands of years have passed and the Earth has evolved because of Godzilla. A small group lead by Haruo Sakaki tried to kill Godzilla. Having believed to have killed Godzilla the group discovers that all they did was kill a baby Godzilla, the real Godzilla has grown much much bigger and is even harder to kill.
Haruo was injured in the attack against the real Godzilla and he wakes up in a hut. Humans have survived on Earth and become more primitive. A young woman named Miana saved Haruo. Miana’s twin sister Maina doesn’t like Haruo much but the two sisters use telepathy to talk to the survivors to find out what’s going on. Continue reading “Sunday Matinee: Godzilla: City On The Edge Of Battle”
I have watched a lot of Godzilla movies, just about all of them. With the exception of one or two I have seen most of the 35 films featuring Godzilla.
A couple of years ago Toho Studios decided to make an animated movie trilogy. These films are more futuristic sci-fi films than the previous Godzilla movies. Set in a world where humans have been chased off of Earth by Godzilla they have been travelling through space with two alien races, the Exif and the Bilusaludo. The aliens helped what was left of humans to escape and they have been traveling to a new planet for 20 years. Continue reading “Sunday Matinee: Godzilla: Planet Of The Monsters”
Director Brian De Palma had been making movies for several years, mostly dramas before he shifted gears and focusing on thriller/horror movies starting with 1972’s Sisters.
Sisters stars a young Margot Kidder as a French-Canadian model/actress who is trying to make it in New York City. She stars in a peeping tom talk show and goes out for supper with the other actor Phillip Woode (Lisle Wilson) who won dinner for two for his participation in the show. A creepy man shows up at the restaurant and demands that Kidder come home. Kidder claims the man is her ex-husband. The man, Dr. Emil Breton (William Finley) claims that he is her husband. He’s escorted out of the restaurant. Afterwards Philip and Kidder go to Kidder’s apartment where they spend the night. Continue reading “Sunday Matinee: Sisters”
Social worker Ann Gentry (Anjanette Comer) has a new case. The Wadsworth family. Mrs. Wadsworth (Ruth Roman) has two grown daughters Germaine Wadsworth (Marianna Hill) and Alba Wadsworth (Suzanne Zenor) who live with her and her mentally disabled son Baby (David Mooney).
Baby is a grown man in his 20s but lives and is treated as an infant ever since his father left after he was born. The Wadsworth all live off of Baby’s disability cheques and none of them work. Ann seems to be obsessed with the case and constantly is checking in on the household and how Mrs. Wadsworth and her daughters treat Baby. Continue reading “Sunday Matinee: The Baby”
I have watched a lot of Hammer horror films over the years and in particular I have watched a lot of their Dracula films. Hammer made nine Dracula films in total and Christopher Lee only starred in seven of them.
The five that Lee starred in weren’t too bad. Some of them were better than others but overall the Dracula films weren’t as good as Hammer’s Frankenstein films. Today’s Sunday Matinee is Lee’s last Dracula film, 1973’s The Satanic Rites of Dracula.
All the Hammer Dracula movies were gothic period pictures until the 1970s when they foolishly decided to update the series with Dracula A.D. 1972. Peter Cushing returned as Van Helsing for the first time since the second film The Brides of Dracula which didn’t have Dracula in it at all. Dracula A.D. 1972 starts off with Dracula and Van Helsing fighting to the death on carriage which crashes and kills them both. A servant of Dracula buries some of his ashes near Van Helsing’s grave. 100 years later Van Helsing’s descendant and his granddaughter (Stephanie Beacham) are living in London. Van Helsing’s daughter hangs out with a group hippies, one who is Dracula’s servant’s descendant and they have a Satanic ritual that resurrects the Count into the 1970’s. Dracula makes some vampires. The police get involved and we find out that vampires can’t take a shower. Clean flowing water kills them. Yup. Vampires have to take baths. Eventually Van Helsing stakes Dracula in a final battle…again.
That leads us to The Satanic Rites of Dracula which takes place two years after Dracula A.D. 1972. MI5 has been spying on a Satanic cult that has several powerful members of Parliament. Their agent has been captured and tortured but he escapes and informs his superiors just before he dies. MI5 finds out that their boss is involved with the cult and decide to investigate off the books using Scotland Yard. Inspector Murray (Michael Coles) returns (he was the cop Dracula A.D. 1972) and suggests bringing in Van Helsing and his daughter (now played by Joanna Lumley). Van Helsing goes to talk to one of the members of the cult that he knows to be a prominent and Noble Prize wining scientist (Freddie Jones). The scientist has created a new super version of the bubonic plague. Van Helsing figures out that Dracula is back and running an evil corporation and the cult and intends to destroy the world.
The final fight is pretty weak and while Cushing would return one more time as Van Helsing, Lee was done with Dracula with this film. It’s not as terrible as the previous film, at times it’s pretty entertaining and Warner Archive has just released the movie on blu-ray.
After the success of Murder By Death writer Neil Simon and director Robert Moore would reteam for another comedy spoof this time focusing on the gritting film noir crime films starring Humphrey Bogart. Peter Falk would return playing a Sam Spade like character this time caught up trying to solve his partner’s murder while getting entangled in a Maltese Falcon like caper. Continue reading “Sunday Matinee: The Cheap Detective”